The Great Gatsby by F. Scott Fitzgerald

18 Apr

Ladies and gentleman who read my blog, I would like to introduce another guest blog post, done by Sam Glass. I hope you enjoy his take on The Great Gatsby as much I do!

The Great Gatsby is F. Scott Fitzgerald’s magnum opus, and one of the seminal works of American literature. You’ve read it before. Probably in high school. Read it again. In a world where the relevance of the novel is questioned with increasing persistence and aggression, The Great Gatsby is a perfect example of how literature can act as a unique mirror for the complexity of our individual and collective character. Plus, it’s a genuine pleasure to read, and at times very humorous! Nothing tickles your funny bone quite like disillusionment.

The Great Gatsby by F. Scott Fitzgerald

Published: 1925

Quick Read? Yep—it’s less than 200 pages.

Difficulty: Surprisingly approachable! But the thematic subtlety allows for many enjoyable and revelatory re-readings.

Synopsis: Nick Carraway, a recent Midwestern transplant to an affluent New York suburb, quickly finds himself embroiled in the strange culture of his neighbors—among them Tom, an old college buddy; Daisy, Nick’s cousin; and Jordan, Daisy’s sardonic friend. People in East and West Egg spend a lot of time consuming, conversing, and enjoying the trappings of their wealth. About a quarter of the way through the book, however, Nick meets the titular Gatsby. We learn about Gatsby in bits and pieces—he throws lavish parties, cultivates an air of mystery, and enjoys referring to friends as “old sport.” His wealth is the subject of not-entirely-unfounded suspicion. Though Nick is able to make small motions toward an independent arc, the majority of his narrative focuses on his friendship with Gatsby, and Gatsby’s attempt to woo Daisy—his adolescent sweetheart—away from her husband Tom.

What makes this book awesome?: In the future, when homo robotus or the aliens or whomever study the ancient United States of America, The Great Gatsby will prove exemplary of how American culture informed universal human wants and fears. Beyond the beauty and fluency of the prose—which is some of the most beautiful and fluent ever produced—Gatsby is a hard, poignant look at what it means to desire, and what happens when that desire is sated (sort of).

Jay Gatsby has been called “America’s First Antihero.” The charge is not without merit. He’s shady, annoyingly colloquial, and sometimes rather pathetic. But Gatsby’s fervid wish to escape a past he finds shameful and his powerful belief in the attainability of dreams make him a horribly relatable character as well. America has long been a haven for those unable to bridle their ambition, and the novel’s grisly conclusion belies the purported “success” that Gatsby experiences before and during the action of the book.

The Great Gatsby penetrates America’s most pervasive mythos, the rags-to-riches success story. In the end, Gatsby’s desires let him down because they’re seeded in fantasy. His idealism, his optimism, and his ambition—because they service a specious goal—result in an unreal and untenable kind of happiness (and eventually, his downfall). The Great Gatsby is an awesome, frightening book because it perfectly dispels a very appealing notion: that achieving our desires will consequently make us happy.

If only it were that simple.

Some neat-o facts:

F. Scott Fitzgerald was the man you wanted at all your raging parties during the 1920s. This guy, right here.

  • F. Scott Fitzgerald is certainly famous for heavily influencing the American 1920s “Jazz Age,” but he was also famous for his zany wife Zelda Fitzgerald. In fact, she was so crazy that Fitzgerald’s best buddy Hemingway encouraged her to drink heavily in order to be able to tolerate her better. Classy advice, Hemingway.
  • Unfortunately this heavy drinking that was so encouraged meant that Fitzgerald’s health was poor, causing him to pass away in 1944, a sad fact that means his prolific career was cut short far too soon.
  • The Great Gatsby has been hailed as “The Great American Novel,” and Modern Library cites it as one of the best novels written in English in the 20th century. So really, if you haven’t read it yet, it truly is the paragon for all 20th century American novels after it.
  • While Fitzgerald was alive, his other books sold better than The Great Gatsby. Its literary genius was not recognized until after Fitzgerald’s death.
  • You can play an 8 bit video game version of the book here. Yes, it exists. Thank you Japanese video game company, for making all of our literary dreams come true!

Sam Glass loves reading books, talking about books, writing about books, and perusing artsy pictures of books on book-enthusiast blogs. Unsurprisingly, he works for the Great Books Summer Program. Sam also enjoys writing, television, England, cheese, and hypothetical scenarios. He graduated from Tulane University in 2011, and is thinking about returning to school to pursue a higher degree in literature. At present, however, he is preoccupied with a more immediate goal: moving out of his parents’ house. Some of his favorite authors are David Foster Wallace, J.D. Salinger, Nick Hornby, W.H. Auden, and George Orwell. He hypothesizes that J.K. Rowling will be as critically acclaimed as Charles Dickens in thirty years, give or take.


A Wrinkle in Time by Madeleine L’Engle

14 Apr

My attempt to grapple with large, looming life decisions as I enter (or maybe just continue upon) the end-of-college-stress-craze has meant a lot of nostalgia recently. That’s good for this blog (which has sometimes been left by the wayside) especially when looking to my young adult years to figure out how exactly I got to where I am. And recently, I’ve been revisiting the always lovely and fascinating Madeleine L’Engle, especially A Wrinkle in Time. It’s a near-perfect science fiction/fantasy in my mind: fun, mysterious, a little bit romantic, setting up a world that’s easy to step inside. I remember being so very taken by this book, and truly being breathless at certain passages.

The book is also totally underrated, especially given the “Doctor Who,” “Battlestar Galactica,” and other sci-fi crazes that’ve been around lately. If you haven’t delved into L’Engle, you should. She truly is amazing.


A Wrinkle in Time by Madeleine L'Engle

Quick Read?: Yes.

Difficulty: Not very difficult, though it does take place in (an)other dimension(s), so there can be a lot of detail to pick up on.

Synopsis: This book quite literally begins with “It was a dark and stormy night.” Our heroine Meg can’t sleep because of it, and neither can her brother Charles Wallace, her mother, or her strange neighbor, Mrs Whatsit. As they sit around drinking hot chocolate, Mrs Whatsit tells Meg’s mother “there is such thing as a tesseract,” causing Meg’s mother to faint. It turns out Meg’s father, a scientist who went missing, disappeared while trying to find this tesseract. The next day Meg, Charles Wallace, and Meg’s friend-turned-love-interest decide they must go to try and rescue her father with the help of Mrs Whatsit, Mrs Which, and Mrs Who, who teach them that a tesseract is a fifth-dimensional way of folding space and time in order to visit different planets and worlds (the “wrinkling” of time). As the children travel with Mrs Whatsit, Mrs Which, and Mrs Who, they learn that the universe is slowly being taken over by The Black Thing, and that they must try to stop it to not only save their planet, but each other as well.

What makes this book awesome?: I’ve always thought A Wrinkle in Time is a perfect marriage of science fiction, fantasy, and actual science. I can’t speak for “real science,” being that science is not one of my strong suits, but the idea of the tesseract comes from principles around “wormholes,” an actual idea in physics. Then there were the elements of science woven into the story, as well as alien planets and societies (I still get nightmares about Camazotz, the last place they visit in the book. It’s incredibly spooky and scary) that feel real, especially given the science L’Engle is working with even though this is primarily fiction. All of this is combined with fantasy too–Charles Wallace has some almost psychic abilities, their absent father becomes a mysterious background figure, and what saves them all in the end (not really a spoiler) is done with the power of love. Sci-fi/fantasy can be tough to differentiate, but L’Engle weaves them all together beautifully.

Similar to other science fiction/fairy tales that were aimed at children, the journey these children take is one that is universal–it’s a quest to see how far love can really go, whether or not love can really conquer all. This can be seen in the Harry Potter series, perhaps even in The Lord of the Rings series, yet there is something about L’Engle where it hits home even harder for me. I’m sure you could chalk this up to my own personal affection for the book, but still. Perhaps fantasy and science fiction is more about where science and emotion meet, and how far they can run together or apart.

Mrs Madeleine "I will write what I please" L'Engle

Some neat-o facts:

  • As I stated above, the idea of the tesseract is based on wormholes as they are known in physics. Maybe if the tesseracts were a little more whimsical, like the TARDIS in “Doctor Who,” people would be as excited about them as they are about traveling through time in a TARDIS.
  • Apparently characters on the TV show “Lost” were seen reading A Wrinkle in Time, prompting a group of avid “Lost” fans to read it. They even got L’Engle to have a discussion with them about the show and the book. Who said being an avid TV fan meant you didn’t read?
  • L’Engle has made it clear that her books are based on her interest in her own Christian faith and modern scientific knowledge. Interestingly, some Christian bookstores felt her books were not “suitable” to be sold and refused to stock them, and the books were even banned in some schools and libraries. Secular readers often panned her works for being “too religious.” I suppose you can’t please everyone.

If you like this, try: A Wind in the Door, A Swiftly Tilting Planet, or Many Waters by L’Engle; the Harry Potter series by J.K. Rowling; War of the Worlds by H.G. Wells

To Kill a Mockingbird by Harper Lee

11 Apr

If you missed this past weekend’s big event, it was the 50th anniversary of the film version of To Kill A Mockingbird. And in her second guest post, Izzy Long will be giving us a review of this classic American book. This book is a personal favorite of mine (also, Atticus Finch is my favorite literary crush), and hopefully, if you haven’t read it, it’ll be a new favorite for you too.

To Kill a Mockingbird is a powerful story set in 1950s Alabama in Deep South America, where clear lines are drawn between white and black communities. Themes of prejudice and racism run throughout the plot, along with issues of class, loneliness, courage and a growing understanding of other people’s points of view. It is told through the eyes of seven-year-old Scout; the spirited daughter of lawyer, Atticus Finch, who takes on the defence of an innocent black labourer accused of raping a white girl.

To Kill a Mockingbird by Harper Lee

Published: 1960

Quick read? While the plot ticks by at a lively rate, the underlying themes deserve proper concentration and time spent unravelling what the author wanted to get across to her readers. Take the time to understand the novel’s powerful messages.

Difficulty: The plot is action-packed with more than one tense moment, yet it is fairly straightforward and easy to read. The themes of prejudice, racism, loneliness and the loss of innocence add a deeper element that is well worth exploring.

Synopsis: The story follows town lawyer, Atticus Finch and his children: ten-year-old Jem and seven-year-old Jean-Louise (Scout) who live in the fictional town of Maycomb, Alabama. The central plot of the novel is when Atticus defends a black man, Tom Robinson against the charge of raping a young white girl.

Scout tells the story from her point of view, starting from when she and her brother, Jem, together with their friend Dill, become interested in the myth of local recluse Boo Radley during their school summer holidays. Although scared of Boo, Dill encourages the others to join him in trying to make him come out of his imposing house.

Back at school once again, Scout finds herself missing the freedom granted to her over the summer by her father. As she and Jem walk home past Boo Radley’s house one afternoon, they discover gifts left apparently for them in the knothole of a tree. They try to write Boo a note of thanks, but are stopped by Atticus who urges them to consider Boo’s feelings and to think of things from another person’s point of view.

A year later, Atticus has taken on the defence of Tom Robinson, a black labourer accused of raping a white girl. Scout is teased about this at school, but her admiration for her father returns when he shoots a dangerous mad dog in the street with just one shot. Later, Atticus leaves town on business and his stern sister, Alexandra comes to look after the children. Their black nursemaid, Calpurnia takes the children to her black church, but when Alexandra finds out, she bans them from visiting Calpurnia again.

When Atticus returns to Maycomb, a group of local men try to persuade him outside the jail to drop Tom’s defence on the eve of his trial. As more men turn up, intending to lynch Tom, things start to turn nasty, Scout unwittingly diffuses the situation by recognising one of the men as the father of her school friend and asking innocently after his son.

Tom’s trial begins, with the whole town present in the courthouse. As Atticus’ cross examination gets underway, it becomes clear that the girl, and her father, Bob Ewell, are lying and that Tom is innocent. Despite that, he is found guilty by the all-white jury. After the trial, Bob Ewell, knowing that he was badly shown up by Atticus, spits at him, vowing revenge. Later, the news comes that Tom was shot dead by guards as he tried to escape prison.

Back at school, Scout is taught about Hitler’s treatment of the Jews, and cannot understand how her fellow townspeople cannot connect that with the racism present in the town. Walking home from a Hallowe’en pageant a few weeks later, Scout and Jem realise they are being followed. Someone tries to squash Scout inside her padded fancy dress costume and breaks Jem’s arm. The children manage to escape and get safely home, thanks to a mystery rescuer dressed in dark clothing. Bob Ewell is found dead with a kitchen knife in his ribs.

At home, Scout tells her story. Slowly, she realises that the person who helped her and Jem must have been Boo Radley, who is now standing shyly in the corner of the room. Atticus realises that Boo must have killed Bob Ewell, but persuades the townspeople to say that Ewell fell on the knife himself to protect the reclusive Boo. Scout leads Boo home, but she never sees him again after that. She finally realises what life must be like for him, putting herself in his shoes and thinking for the first time from other people’s points of view as Atticus had once urged her to do.

Why this book? Harper Lee chose the title of her book as a metaphor for human justice. Mockingbirds do no harm to anyone, so it could be said to be a very great sin to kill one. The long-held attitudes and prejudice held by the various characters in Maycomb are challenged as the plot unfolds, leading to a fascinating exploration of human courage. Racial tensions and prejudices still exist to this day, making To Kill a Mockingbird as relevant to the twenty-first century as it was when it was published in 1960.

Some neat-o facts:

Harper Lee (or perhaps Scout?), all grown up.

  • This was Harper Lee’s first and only book, which won the much-coveted Pulitzer Prize in 1961. It was adapted into both a stage play and a film, starring Gregory Peck as Atticus Finch and Mary Badham as Scout.
  • The plot was constructed in the context of US race relations, following a long period of slavery, when black people were considered as much of a commodity as USA parcels by the white community. Despite the abolition of slavery in 1865, black people were still, by and large, powerless as white people fought to retain their advantages through the difficult period of the Great Depression and beyond, often through segregation and injustice.

If you like this, try: ‘The Color Purple’ by Alice Walker, about a young African American woman living in rural Georgia in the 1930s. Or ‘I Know Why the Caged Bird Sings’ – the 1969 autobiography of black writer and poet, Maya Angelou.

Review by Izzy Long. She is a freelance writer, and she can be contacted here.

Madame Bovary by Gustave Flaubert

29 Mar

I’m pleased to announce Better Know a Book’s second guest post by Izzy Long! I’m excited to welcome another voice to this blog, and hope you all enjoy her post below!

With Valentine’s Day just behind us, what better novel to recommend than Madame Bovary, by Gustave Flaubert? This is a romping good read, which will leave you alternately wanting to shout at the silly Emma Bovary, and identifying with her sighing romanticism. It’s a cautionary tale, but full of twists and turns as we watch Madame Bovary approaching her inevitable downfall.

Published in? 1857

Quick Read? Yes, this is a quick read, and the story really gallops along. Bookworms will read it in a day and a half.

Difficulty? Easy! It’s a great introduction to French literature for this very reason.


The book opens with a description of Charles Bovary, the man Emma will marry. It shows him at school, a weak and ineffectual man who is distinctly average. He manages to pass his medical exams, and becomes a mediocre country doctor. His mother marries him off to what she thinks is a fortune – a local widow. She dies, but instead of investing in shares she has squandered her money, leaving very little money to Charles.

He soon falls in love with Emma Bovary, a pretty country girl, and after a romantic and lavish wedding they settle down to married life. Emma soon becomes bored now that the romance of the wedding is over. She dreams obsessively of a more glamorous life, and eventually becomes depressed when she cannot obtain her dream. She becomes pregnant, and Charles moves them to a new town in an attempt to stir Emma out of her depression. Here Emma meets Leon, a law clerk, who reads romantic fiction.

The baby is born and so is a romance between Leon and Emma, who is not distracted by her new baby, but rather bored with it. She does feel guilty however, and put Leon off, and he soon gives up and moves to Paris to study law. Soon afterwards a wealthy man called Rodolphe declares that he loves Emma and they too begin an affair. Emma is rather careless, and the neighbors in the little French town begin to gossip about her. Charles doesn’t have a clue what is happening, so appears rather stupid.

He messes up an operation on someone’s clubfoot, which has to be amputated, and Emma hates him for being stupid and incompetent. He continues to love her, whilst she focuses entirely on her love for Rodolphe, running up huge bills with local shopkeepers and Lheureux, the moneylender, as she buys presents and new dresses to delight her lover. Charles’s practice is struggling after the botched operation and he struggles to pay her debts.

Rodolphe begins to tire of the demanding Emma and…

I am not going to spoil the ending of the book for you, because hopefully by now you will want to read it for yourself. Let’s just say that things do not end particularly well for anyone in the book, but the twists and turns before you reach the end (this synopsis takes you about half way) will keep you in suspense.

What Makes this book awesome? This book is awesome because it is so readable, and the story is told at a great pace, so you never get bored. If you’re looking to expand your knowledge of the classics and want an easy way in to French literature, then Madame Bovary is a great place to start. It doesn’t hurt at all! You can recognize lots of things in Emma which you identify with as you read, and hence you can sympathize with her as well as finding her behavior outrageous. She is the first example of someone using retail therapy in literature I have ever come across, and all of her emotions are channeled in the wrong ways. One can sympathize with Charles too, but not much, as he is so incredibly dim and blindly devoted to Emma. He used the book to criticize the bourgeoisie – the merchants and capitalists who had risen to power after the French Revolution. They were the ‘middle-classes’ whose manners and obsession with money was considered vulgar by many, including Flaubert. Emma’s dissatisfaction with her bourgeois lifestyle is a reflection of the author’s attitude. The book also brings up issues about women’s lives, and about language’s inability to express what it is we are really feeling.

Some neat-o facts

  • The book was written at a time when sexual matters were not discussed in novels, so it caused a scandal when it was published. Flaubert was very upset by this, as it is not the point of the book at all. He was put on trial in 1857, for obscenity, but acquitted. The resulting publicity did no harm to sales!
  • Flaubert’s style was considered very new at the time, as the language he used matched the action in the book. When Emma was depressed, the prose matched her mood, when she was happy, Flaubert’s writing reflected that in style. While this may seem normal to us these days, it was quite new and innovative in the 19th Century. One of the reasons it is so easy to read by a modern audience is down to Flaubert’s ‘modern’ style of writing. It is considered one of the most influential novels ever written for this reason. One critic wrote, “Flaubert established for good or ill, what most readers think of as modern realist narration, and his influence is almost too familiar to be visible”.

Summer Reading List Part 2, or More Books I’m Embarrassed to Not Have Read Yet.

26 Mar

Thanks for all of the feedback you guys gave on my last summer reading list post! It’s been wonderful to hear your recommendations and suggestions, so keep’em coming! I thought of a few more I’d like to share with you all, even more books I’m just so embarrassed that I haven’t gotten to yet. I hope to have a productive summer full of reading.

Do feel free to comment below on all of them/laugh at my limited literary knowledge!

1) Slaughterhouse Five by Kurt Vonnegut

Slaughterhouse Five by Kurt Vonnegut

You’re probably thinking, doesn’t everyone have to read that in high school? How has she not read that? I’m with you there. I suspect I never got around to it because this was the book all the snobby guys were into, and I really need to be over that now. The fact is, Vonnegut is so important, especially for  fiction today. Vonnegut is an important short story and satire writer, and it’s high time I read this classic.

2) The Hunger Games by Suzanne Collins

The Hunger Games by Suzanne Collins

Hear me out. These books are flying off the shelves like hotcakes (I’m pretty sure the phenomenon around this YA series is pretty much the definition of hotcakes), and you all know I love a good book with a strong heroine in it. Seriously though, this seems like the sort of series I would have loved to have had as a teenager. Dystopian future, strong heroine with a bow and arrow, strategy games, the works. It’s the first new YA series I’ve been excited about since I was about fifteen, which I think says a lot. So I’m going to read the series, and I’m really looking forward to it.

3) Tender is the Night by F. Scott Fitzgerald

Tender is the Night by F. Scott Fitzgerald

Better Know a Book veterans will note that I do love the modernists. I love modernism, I love the 1920s, and I love the writers who made it happen, as well as the crazy group of people they all hung around with. One of the modernists I’ve read the least of, however, is Fitzgerald. I read The Great Gatsby, of course, but nothing else. This seemed like an interesting next step, and it was inspired by his difficult, turbulent-at-best relationship with his eccentric wife, Zelda (eccentric is a euphemism there, for the record). Hence, I hope to curl up with this tome on a beach somewhere real, real soon.

4) The Handmaid’s Tale by Margaret Atwood

The Handmaid's Tale by Margaret Atwood

Another book I’m embarrassed to never have read. Atwood is a writer that I greatly admire, and am constantly wishing I was reading more of. I saw her speak at my college’s commencement a few years ago, and that just cemented my adoration for her. The Handmaid’s Tale seems like a book I’d greatly admire, and would actually be great to juxtapose alongside The Hunger Games–both dystopian novels heavily featuring female leads. I’m excited to finally pull this one off the shelf this summer, for sure.

The Importance of Being Earnest by Oscar Wilde

22 Mar

As I’ve mentioned before, Oscar Wilde is quite the well-beloved literary figure, and why not? We’ve already gone over his fun, flamboyant, ridiculous self before, I won’t repeat myself here. But who couldn’t use a little more of his humor nowadays? “The Importance of Being Earnest” is probably one of his best known plays, and one of his funniest works, in my humble opinion. So if you can’t get enough of Mr. Wilde, look no further than “The Importance of Being Earnest.”

Published: 1895

Quick Read?: For sure.

Difficulty: Not very. Do slow down for all of Wilde’s clever wordplay and jokes, however!

Synopsis: In a classic case of identity switcheroo, the play opens with protagonists Algernon and Ernest in London. Ernest is deeply in love with Gwendolyn, Algernon’s cousin, but it Algernon soon realizes Ernest isn’t really Ernest (or earnest) at all, but is actually Jack.  Ernest is merely the name he uses while gallivanting in the city, for when Ernest goes home to his sister in the country, he doesn’t want her to know his “double life” partying and having a merry time in the city (this was before the days of embarrassing facebook photo tags, of course).  When Ernest/Jack goes to finally propose to Gwendolyn, however, he must fight off her cranky grandmother Lady Bracknell, who sees Ernest/Jack as “unsuitable.” Yet it turns out Gwendolyn only loves Ernest/Jack for one reason–his name “Ernest.” The story further complicates and becomes hilariously entangled when Ernest/Jack returns to the country with Algernon, only to have Algernon learn that Cecily is in love with him (though they have never met), and he falls for her, but not without a few complexities along the way.

Why this book? Oscar Wilde is hilarious, timelessly so. While it’s a fun play to watch, it’s just as fun to read, and great if you want a quick laugh. It’s a personal favorite of mine, out of what I’ve read of his works–others have not agreed with me, but I think it’s a definite classic, and a worthy one to have stored away in your literary arsenal.

If nothing else, this is the book for anyone with a love of clever wordplay. The most obvious of these wordplays is on the name “Ernest” and the adjective “earnest,” of course, but nonetheless, it’s a satisfying work that is never dull or boring. Nothing slows down the pace or keeps the laughter at bay.

If Tyra Banks and Oscar Wilde had lived during the same time period, Tyra would've said "Irish eyes are sm-eye-sing!"

Some neat-o facts:

  • Wilde cultivated the social wit he employs throughout this play through his social interactions in London with famous artists, playwrights, writers, and the late 19th century upper-crust. I get the feeling “The Importance of Being Earnest” had some basis in his experiences, but I can’t say that for a fact.
  • The play also makes fun of the Victorian melodrama, a popular theatrical genre at the time in England. The drama in this work is so over the top, even for Wilde, there was no mistaking its poking fun at other works during that time period

If you like this, try: The Picture of Dorian Gray by Wilde; any play by George Bernard Shaw; Orlando by Virginia Woolf; Sense and Sensibility by Jane Austen.

And for those of you who are film-inclined, here’s the movie trailer!

Where would you be without your library?

21 Mar

I, for one, am indebted to my public library system. I was always going to events at the library as a kid–I took classes in comic book drawing, I went to readings, I did arts and crafts. I played in their playroom that was also the kid’s books room, strewn with books and toys and babies. Some of the first books I read came from the library too, covered in those heavy plastic dust jacket wrappers, crinkly and smelling like the library itself. In the summertime I’d participate in their program where the more books you read, the more little rewards you would get.

As I got older, I left the kid’s section and moved to the young adult section, where I routinely read up to 50 books a year (oh yes, I kept track too), and from there on to the adult section.

I used to go every week with my dad, a tradition in my family that, whenever I’m home, still holds up. We still go together. It means a lot to me. Libraries mean a lot to me. And as time  and technology move onwards, I can’t help but wonder what will happen to these wonderful local institutions. I have a hard time believing they’ll go anywhere, but it worries me nonetheless.

The tiny town of Shutesbury, MA (population 1,800) has a very tiny library in need of a ton of restoration. They made this viral video recently to try to raise money. If they can raise 40% of the funds necessary to properly renovate ($1.4 million), the state will match them with the rest of the 60%. Look at the adorable video they’ve made. This little town that loves to read has warmed my heart as they ask us “What would you be without your library?”

Tell me your library stories in the comments. What are you first memories in a library? Do you remember what your library meant to your town? What does it mean to you now?